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It includes forms like Sangeet Natak (Musical drama), Tamasha (folk dance), Ekpatri prayog etc. Marathi theatre started flourishing in the middle of the 19th century. Maharashtra has had long theatrical tradition, one of its early references is found in cave inscriptions at Nashik. People flocked to the theatres to watch these lavanis. Lavanis such as “Mumbai Nagari Badi Banka, Jashi Ravanachi dusari Lanka” by Patthe Bapurao and Annabhau Sathe’s “Mazi Mumbai, Arthat Muumbai Konachi” were super duper hits those days. The artists used to practice in whatever space was available to them sometimes varandahs, staircases and the open grounds.
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Because of the majority Maharashtrian workers community in the city who lived in the chawls the free time was used to practice dramas, keertans, pravachans and powadas.
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The Marathi stage has evolved in Bombay (now Mumbai) because this city has always been a business city it had the infrastructure and money which helped the formal performers to grow. It was inspired by Karnataka’s folk theatre form of Yakshagana. It seems King Patwardhan of Sangli requested novelist Vishnu Bhave to write an evocative play for entertaining his guests and Bhave wrote ‘Sita Swayamvar’ which was performed on November 5, 1843, in that princely state.
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Right from the 18 th century the Marathi theatre has been present. Marathi theatre has always been regarded as one of the most culturally rich theatre traditions in the country.